Vu Thuy Van

Ho Chi Minh City University of Fine Arts, Ho Chi Minh City, Vietnam

DOI : https://doi.org/10.58806/ijsshmr.2024.v3i12n15

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ABSTRACT

Hand-painted art in the world and Vietnam with its long-standing origins always evolves with the flow of human civilization. With the diverse development of fine arts, hand drawing does not stand on the sidelines but always promotes its potential in life applications, contributing to promoting human aesthetic awareness. Only through hand drawing can the form and content of symbols vividly, delicately, and specifically reflect their object of reflection. This article surveys the process of creating some logos, symbols of some typical objects in Vietnam, through which, tries to clarify the role of hand drawing in the formation of quality of these products symbol is formed. In particular, through research results, it can be affirmed that hand drawing will still play an important role in artistic creativity despite the explosion of technology and the development of artificial intelligence.

KEYWORDS:

hand drawing, the role of hand drawing, icons, logo design, Vietnamese fine arts.

REFERENCES

1) Tran Khanh Chuong (editor consultant). (2003). Vietnamese contemporary applied arts = Vietnamese contemporary applied arts, Fine Arts Publishing House, Hanoi.

2) Nguyen Duy Lam. (2006). “Modern graphics and rich LOGO applications”, Fine Arts Magazine, No. 158, p. 10-12

3) Sean Adams. (2008). Master of design logos & Identity, Rockport, Massachusetts, USA.

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7) Do Van Dung. (2024). The Influence of the Market Economy on Graphic Design Activities in Ho Chi Minh City in the Pre-Renovation Period Of 1986. International Journal of Social Science. Humanity & Management Research, Volume 03 Issue 10 October 2024, Page No. 1333-1341.

VOlUME 03 ISSUE 12 DECEMBER 2024